How patient are you? Imagine facing a two-year project that involves arranging fourteen million tiny pieces of Venetian glass into an 18,299 square foot mosaic. Then imagine a whole huge basilica full of wall and ceiling mosaics.

On a recent visit to the Bascilica of the National Shrine of the Immaculate Conception in the Brookland/Catholic University neighborhood of Washington, DC, I was simultaneously craning my neck and exercising my sense of wonder. The main part of the massive church, and every nook and cranny, it seemed, was covered with millions upon millions of these tiny glass squares arranged into massive, yet intricate, art works.

Having, during the pandemic, gotten into collaging, putting mere dozens of small pieces of cut up magazines together into something approximating art, I just could not get my head around the creation of these mosaics. Luckily, a little research lead me to this short but very informative video which gives a behind the scenes view of the artists and craftspeople at the Travisanutto Mosaic Studio in Spilimbergo, Italy creating the most recent dome mosaic for the basilica. Thence to the Travisanutto Studios web site with more information.

This is the sort of rabbit hole that us folklorists love going down. And while I don’t have time to pursue learning more about the tradition of mosaic art right now, I am still marveling at the basilica’s examples, and urge anyone living in or visiting Washington, DC to check them out. If you are Catholic (which I’m not) they will have more spiritual significance. But, even if you just like art or want to spend a couple of hours pondering human creativity, this is some special stuff.

Exercise your patience and don’t rush through. Think about how every tiny piece of glass contributes to the whole, and make it your own metaphor.